I’m not massively into horror, because I don’t generally like feeling uncomfortable. But the horror flicks I do enjoy tend to be incredibly empathetic, and actually about something other than the horror.
For example, my favourite horror movie is Dark Water, a Japanese flick from 2002. It’s creepy as hell and genuinely unsettling, but at its heart it’s about heartbreak and trying to learn how to move on. It speaks to the human condition without having to rely on simple jumpscares.
In fact, I think the most successful horror movies (from an artistic perspective, rather than box office take) tend to be the ones that talk about what it is to be human.
I’m not massively into horror, because I don’t generally like feeling uncomfortable. But the horror flicks I do enjoy tend to be incredibly empathetic, and actually about something other than the horror.
For example, my favourite horror movie is Dark Water, a Japanese flick from 2002. It’s creepy as hell and genuinely unsettling, but at its heart it’s about heartbreak and trying to learn how to move on. It speaks to the human condition without having to rely on simple jumpscares.
In fact, I think the most successful horror movies (from an artistic perspective, rather than box office take) tend to be the ones that talk about what it is to be human.